Neil Mason is the commissioning editor at Electronic Sound Magazine (electronicsound.co.uk) and approached me about shooting an electronic musician they were featuring called Karin Park. He’s been watching my street work on my Flickr and blog for a while and encouraged me that he wanted me to do a similar style of thing for the feature.
I went to Olso in Hackney with the writer Danny Turner in the afternoon for the soundcheck and met the band which consisted on Karin Park, her brother David on the drums and bass and Juno on the keyboards. I started off by shooting Karin in her dressing room applying some makeup and chatted briefly to her about her music, I find this kind of interaction hard as it's quite intimidating and the whole patter of a portrait photographer something I’m not used to but as a former model she was an excellent subject, knowing just what to do to give some great close up shots of her in a mirror.
The sound check was a great place to get all sorts of shots, with the band being completely happy to have me move around them on stage and shoot completely unhindered from all sorts of different angles, they also had a YouTube music channel there shooting some film for a feature which meant that they did full run throughs of a couple of tracks with full lighting. It gave me one of my best shots where Karin was sat on a stool and the lighting guys bathing her in wonderful blue and purple light.
After the soundcheck was finished we shot quite a few backstage shots in their dressing room and in a small bar area. I found a spot behind the bar which had great lighting and took portraits of David and Juno, testing out a few different settings and getting ready to shoot Karin for what I felt would be a great intimate portrait of an artist just before she went on stage.
When Karin was ready I asked her if I could get a few shots of her and while she was quite busy and clearly nervous she agreed. She said she didn’t have much time but because I had already shot David and Juno there I was all set up and after only ten shots I said ok; which surprised her. ‘That’s the fastest photo shoot I’ve ever had!’ but she was pleased with the shots I had got of her and so was I.
The show itself was full of a really enthusiastic audience and I took quite a few shots from in front of the stage. This was the most challenging aspect of the day as getting a great shot of her live with people all around you proves hard. It really goes to show that getting a really fantastic live shot is a lot harder than you would imagine. The lights are moving and changing, Karin was very energetic in her performance and this made it hard for my Nikon and Sony to freeze her in the action. I never use flash and obviously this is not desirable to the artist while they are in full flow so shooting at f1.8 on quite a slow shutter speed makes this challenging and tricky.
I moved to the sound and lighting booth for some wider shots which encompassed the whole stage and audience and while this made of a couple of interesting shots I can see now why most photographers don’t do this, the intimacy is lost and the shots look a lot less exciting from this far back.
The performance was fantastic and the new album ‘Apocalypse Pop’ sounded superb live, if you ever get a chance to see her live I would highly recommend it. Make sure you check out the article in Electronic Sound Magazine and I look forward to my next assignment!